Monthly Archives: July 2016

Nibadh and Anibadh Gayan.

Anibadh singing is free from Sur and Taal.Nibadh singing is one with Sur ,Taal and Padh.Nibadh singing is of three types Prabandh,Rupak and Vastu.In these three Prabandh is most famous.Any composition having Taal,Sur and Shabdh(words) is known as Prabandh.Nowdays,what we … Continue reading

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Samprakritik Raag.

Raagas are born ¬†from Thaat.That is the reason Thaat is known as Janak(one who gives birth)and raagas born from it are known as Janya raag.Samprakritik Raag is a form of Janya Raag.Raagas born from a Thaat,having similar swar but still … Continue reading

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Adharvdarshak Swar.

In Classical music,Madhyam swar plays an important role in deciding the time of singing raagas.it is known as Adharvdarshak swar.Morning raags have influence of Shudh Madhyam.Sandhi Prakash raagas having Komal “Re””Dh”and shudh Madhyam is known as Morning Sandhi Prakash raag.If … Continue reading

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Swar Samvad.

The combination of two Swars produce a sound which is known as Dhwani.This Dhwani is sometimes soothing to ears and sometimes bad.If the Dhwani produced is Tuneless and feels bad to ears is known as Vivad.While the one in Sur … Continue reading

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Meend.

Meend is a glide to go from one Swar to another without any obstruction.In order to show the presence of the middle swars a Meend is shown.This practice is often used in vocal and instrumental music.It is very important part … Continue reading

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Sparsh Swar.

In order to make Swar Beautiful,lower and upper swars of the major swar are just touched n then the major swar is sung.The swar which is touched while singing the major one is known as Sparsh swar.For eg: Sa is … Continue reading

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Sankirna Raag.

A raag which is formed by combination of two or more raags is known as sankirna raag.For eg:Mishr khamaaj and Bhairav Bahar etc.

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