Author Archives: Aditi Jha

About Aditi Jha

Music lover who wants to share love for music

Famous bhajan on Tilak Kamod.

Pakad of Tilak Kamod- Pa(lower octave) Ni Sa Re Ga Sa,Sa Re Ga Sa Ni,Re Ma Pa Dh Ma Pa Sa(higher octave). This Bhajan clearly shows the characteristics of Tilak Kamod.

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Gaud Sarang.

Gaud Sarang is a daytime raaga,but gives effect of night melodies.The overall impact is identical to that in Raag Kedar or Raag Bihaag (they both are night raagas).Gaud Sarang has a Vakr build.Shuddha Madhyam is a prominent note but not … Continue reading

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Raag Hameer.

Raag Hameer is derived from Kalyan That.Both the Madhyams are used in this raag.It is a Veer-Rasa (ie it gives us feeling of enthusiasm and courage of warriors).In the Aarohan(ie ascending swars)all Shudh swars are used and Panchan is forbidden(Vajra).In … Continue reading

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Raag Kamod.

Raag Kamod comes from Kalyan that.It has shadows of ¬†Malhar,Hameer,Kalyan with a glimpse of Kedar and Chhayanat.Both the Madhyams are used in this raag.Teevr Madhyam is used in glimpse with Pancham in Aarohan(upward series).Gandhar is Vakr(just touched ) in Avrohan … Continue reading

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Praveshika Pratham.

Total Marks:75. Pass Marks:26. Practical:60,Theory:15.No written Exam. Raagas:Yaman,Kafi,Khamaaj,Bhimpalasi,Baageshri,Bhoop,Des,Durga. Students should well versed with Aarohan/Avrohan,Pakad,Prarambhik Aalap/Swar elaboration of all Raagas. One bandish of each raag should be known, One bandish with Aalap,Swar vistaar,Taan of any 6 raagas. One bandish/swar vistaar in … Continue reading

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Prarambhik Syllabus(Vocal&Instrumental).

Total Marks : 50. Pass Marks :18. Practical :40,Theory:10.No written Exam. Raagas:Durga,Kafi,Khamaj,Bhimpalasi,Baageshri,Bhoop,Des. Students should be well versed by one bandish including Aarohan-Avrohan,with Pakad.They should have the capability to recognize and differentiate between raags. For Theory students should know how to … Continue reading

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Western Music Workshop on 23rd October.

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