Tag Archives: Kalyan

Gaud Sarang.

Gaud Sarang is a daytime raaga,but gives effect of night melodies.The overall impact is identical to that in Raag Kedar or Raag Bihaag (they both are night raagas).Gaud Sarang has a Vakr build.Shuddha Madhyam is a prominent note but not … Continue reading

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Raag Hameer.

Raag Hameer is derived from Kalyan That.Both the Madhyams are used in this raag.It is a Veer-Rasa (ie it gives us feeling of enthusiasm and courage of warriors).In the Aarohan(ie ascending swars)all Shudh swars are used and Panchan is forbidden(Vajra).In … Continue reading

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Raag Kamod.

Raag Kamod comes from Kalyan that.It has shadows of  Malhar,Hameer,Kalyan with a glimpse of Kedar and Chhayanat.Both the Madhyams are used in this raag.Teevr Madhyam is used in glimpse with Pancham in Aarohan(upward series).Gandhar is Vakr(just touched ) in Avrohan … Continue reading

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Kedar

Raag  Kedar  is a Hindustani classical raag.This raag is placed on a high pedestal in the realms of Indian classical music.In this raag both Tivr  and shudh’Ma’ are used.Tivr ‘Ma’ is generally used in Aarohan.Still, sometimes in Avrohan Tivr ‘Ma’ … Continue reading

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