Tag Archives: Komal

Prarambhik Syllabus(Vocal&Instrumental).

Total Marks : 50. Pass Marks :18. Practical :40,Theory:10.No written Exam. Raagas:Durga,Kafi,Khamaj,Bhimpalasi,Baageshri,Bhoop,Des. Students should be well versed by one bandish including Aarohan-Avrohan,with Pakad.They should have the capability to recognize and differentiate between raags. For Theory students should know how to … Continue reading

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Jai Jaivanti

Raag Jai Jaivanti comes from Khamaaj That.It is a Vakr Sampoorna Raag.This raag has Two Gandhar  and Two Nishad.In Aarohan the Ga and Ni  used are Shudh while in Avroh it is Komal.In Avroh phrase ‘ Re Ga(komal)Re Sa.This is … Continue reading

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Raag Malkauns.

Raag Malkauns is a very popular Hindustani classical Raaga.In South it is known as Hindolam.The raag has a strong public appeal.Rishabh and Pancham swars are Varjit ie not included in this raag and thus make it a pentatonic raag.Ga ,Dh,Ni … Continue reading

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Puriya Dhanashree.

Raag Puriya Dhanashree comes from” Poorvi ” Thaat.It is an evening Sandhi Prakash ARaag.Re and Dh are komal  and Ma is Teevr in this raag.Poorvi raag uses both Teevr and Shudh Ma while Puriya Dhanashree only uses Teevr Ma.It contains … Continue reading

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Shruti.

Shruti comes from sanskrit word “Shru” which means listening.The smallest interval of pitch that human ear can detect.In a Saptak there are 22 Shrutis.They are as follows:Sa-4,Re-3,Ga-2,Ma-4,Pa-4,Dh-3 and Ni-2.From these 22 Shrutis,only 12 are selected to be 7 Shudh Swars … Continue reading

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Raag Jaunpuri

Raag Jaunpuri belongs to Asavari That.Some experts,consider it indistinguishable from the Shudh Rishabh Asavari.Its attractive swars also make it popular raaga in carnatic circles.This is a Uttarang Pradhan Raag and can be expanded in Madhya and Tar Saptaks.The atmosphere created … Continue reading

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Raag Bhairavi.

Raag Bhairavi is the main representative of Bhairavi That.It has traditionally been performed in morning.But nowadays it is performed at any time provided it is the concluding piece.There are two approaches of singing it,Shudh Bhairavi and Sindhu Bhairavi.In Sindhu Bhiravi … Continue reading

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